Tag Archives: hand lettering

Mazie Ofrane Hand and Foot Prints – January 2014

Mazie Ofrane Footprint, watercolor on paper, January 2014, 6"x6"

Mazie Ofrane Footprint, watercolor on paper, January 2014, 6″x6″

I did a series of watercolor foot and hand prints for our neighbors. Continue reading

Maeve Baby Footprints – 9 September 2013

Maeve Margaret Linton Lincourt footprints with hand lettering, watercolor on paper, 9 September 2013, 7"x10"

Maeve Margaret Linton Lincourt footprints with hand lettering, watercolor on paper, 9 September 2013, 7″x10″

This post shows three pieces that I did in watercolor on paper that commemorate my daughter Maeve Margaret Linton Lincourt Continue reading

The Goats Have No Midwives (Lettering) – September 2013

The goats have no midwives, watercolor on paper, September 2013, about 11"x17"

The goats have no midwives, watercolor on paper, September 2013, about 11″x17″

This is a lettering project I did as a gift for the homebirth midwife Continue reading

Sketchbook Number Fifty-Seven – 18 April 2009 to 19 December 2010

The Front Cover of Sketchbook No. 57, about 8 1/2″ x 11″

Continue reading

The Temple of the Hand featuring the Museum of the Opposable Thumb – 27 June 2009

The Temple of the Hand featuring the Museum of the Opposable Thumb - ink on paper, about 8 1/2" by 11"

The Temple of the Hand featuring the Museum of the Opposable Thumb - ink on paper, about 8 1/2" by 11"

Here’s some lettering I did for my friend Federico and some other friends of ours.  It’s for an installation (?) that they’re doing at Burning Man later this summer.

The hand lettering was based on some other sketchbook lettering I had done – posted here (scroll down to the bottom.)  I think that the sketchbook letter is slightly better… perhaps just a little freer.  The capital T and H aren’t as strong as the lower case lettering, either. (Federico was able to quickly fix a small error of mine – he closed up excess space between the ‘H’ and the ‘a’ in Hand.)

The hand-thumb image was, like a lot of my work, improvised.  Initially the parallel lines were suposed to look like the ridges of a fingerprint, but they ended up looking more line an old linoleum block print, I think. It’s a bit like the work of Jose Guadalupe Posada – an excellent and prolific Mexican graphic artist who is perhaps best known today for his calaveras – like this one:

Calavera by J G Posada - click to enlarge - from Wikipedia

Calavera by J G Posada - click to enlarge - from Wikipedia

Bike Summit roundup March 2009

a bike summit spoke card

a bike summit spoke card

Here are some more images I did for things related to the Los Angeles Bike Summit which took place on Saturday March 7th, which I did a whole lot of coordination work for, and which I enjoyed greatly. Ideally I probably should have done these and posted them here in advance of the summit – so they would generate interest… but I didn’t finish them until a day or two before the summit, so it was all I could do to get them copied and into the hands of summit attendees.

Above is one side of the spoke card we gave out to attendees. I did the hand lettering, and the other side features two drawings by Shawn Granton. Shawn resides in Portland Oregon and was in town for the summit. I had the pleasure of hanging out with him while he stayed at my place. He does lots of great bike illustrations, with plenty of hand lettering. Also does bike touring then self-publishes comic journals about them – and gave me a bunch that I’ve been reading since. A kindred soul.

Below is the master for the spoke cards. As I don’t really do artwork on a computer (unless you count scanning stuff for this blog – and even that I am not all that good at) so you can see that the bottom left panel is the actual hand-lettering and the rest of the photocopied images are glued onto the page. Low tech, and sometimes you see lines that you probably shouldn’t, but it’s something I’ve done for many years, and I know how scissors and glue work pretty well. Someday I will really learn photoshop or illustrator or GIMP…

spoke card master

spoke card master (lettering by Joe Linton, drawings by Shawn Granton)

Spoke cards are in a bit labor-intensive. They are roughly playing-card-sized two-sided images that are laminated. They fit in the spokes best if there’s a margin of laminated plastic about 1/8-1/4 inch sticking out… so you pretty much have to do them all by hand. Generally, you end up cutting the paper by hand, then cutting the laminated cards by hand again. They end up all slightly irregularly-sized… which I like. (Thanks to Joe Krovoza, my old Occidental College roommate, who came down from Davis for the summit – and was immediately put to work cutting spoke cards!)

Root Down Ride Around spoke card

Root Down Ride Around spoke card

For the Root Down Ride Around ride Friday night (which I already blogged a bit about) Kelly Martin actually got a printer to laminate and trim the cards, so they were all alike. They even had rounded edges like actual playing cards.

The ride was fun – tracing various sites where various facets of L.A. bike culture got started – from RIDE-Arc to Bicycle Kitchen to Midnight Ridazz. Hearing some of the instigators speak each time. It did get kinda long though…

For the ride I did this route map (perhaps it’s a root map?) below. I initially used tracing paper over a map to get a sense for the overall shape. I then red-drew it freehand to squeeze it into an 8.5″x14″ sized page. I like the way the waving woman on the left turned out. (Note the spoke cards in her front wheel.)

Root Down Ride Around map

Root Down Ride Around map

I also helped lead a ride called “The City Beautiful” that focused on the historic bridges over the LA River. The bridges, built mostly in the late 1920’s and early 1930’s were part of the City Beautiful movement, which aimed to build heroic civic architecture to uplift the squalid lives of city-dwellers. I am a big fan of these bridges and have written about them in my book Down by the Los Angeles River: Friends of the Los Angeles River’s Official Guide. I also occasionally write about them at the L.A. Creek Freak blog.

The flier design is based on the 1931 Gothic-revival 4th Street Bridge. Though the proportions are slightly off, I like the way the bridge illustration turned out – pretty loose and splattery! I did it initially in pencil, then inked it using a quill pen dipped in India Ink. The lettering was a bit of a dilemma. Ideally it should have been formal lettering from that historic time… but, due to lack of time and skill, I opted to just keep it really simple and sparse. I think it contrasts well with the drawing.

Flier for The City Beautiful ride

Flier for The City Beautiful ride

Here’s the original artwork. It’s hardly so different that I should show both… but it gives you some sense of the low-tech way that I work… which maybe a few of you have some slight interest in.

The City Beautiful master (bottom half is the original artwork)

The City Beautiful master (bottom half is the original artwork)

Below is a flier for the party that Los Angeles Eco-Village (where I live) hosted that night. In recent years, this flier format is more-or-less my rush-flier default. Drop in hand lettering around a pertinent image that I’ve swiped from somewhere else. The image is a street crowded with bicyclists in an Asian city – taken from an old National Geographic magazine. I keep a manila folder where I stash bike images.

My very favorite thing about this unremarkable flier is the way I combined the two m’s in Summit at the top!

Bike Summit Party flier

Bike Summit Party flier

And, for both of you readers that get this far, here’s the original artwork, which if nothing else gives you a better sense of the photo I used:

Original artwork master for bike summit party flier (cropped due to my unfamiliarity with my neighbor's scanner)

Original artwork master for bike summit party flier (cropped due to my unfamiliarity with my neighbor's scanner)

And, lastly, dear longsuffering reader, here’s some Bike Summit marginalia… someday I will do a post with more examples of this. Suffice it to say that I am vain enough to keep a lot of these sorts of doodles I do around the edges of pages where I take notes.

bicycle marginalia

bicycle marginalia

That’s all for this year’s summit!